Drawing from my own fears, humor and science I try to understand and recognize the most basic connections we have with each other.

With a radically omnivorous practice that sorts deliberately through the pile-up of rhetoric on the 21st century highway in search of new vehicles for meaning, neglected states of being, and poly-conceptual ways of seeing, Larson swings easily between social arts practices and conceptual art, drawing, performance art, and use of home-made technologies, addressing the practical agency of individuals, and the terrible responsibility of searches for meaning.